Practice Like a Pro part 5 – Performative Practice
This is the final article in my series on holistic musical practice, set out in the framework I like to call MoPToP. We looked at mental practice, the in depth…
This is the final article in my series on holistic musical practice, set out in the framework I like to call MoPToP. We looked at mental practice, the in depth…
Now we get to what most people think of when they think of practice, also the part you’re most likely to associate with unpleasant and uncreative chores. But this is…
Continuing the series of articles on holistic practice habits for musicians, last time we looked at mental practice – figuring out the kind of musician you want to be and…
Part two in a series of articles on personal musical practice, last time I gave an overview of my MoPToP framework describing what I see as the four main aspects…
How often do you practice at your instrument? This is a dreaded question among musicians at all levels, conjuring as it does visions of stern authority figures standing over sweating…
To the uninitiated, classical music notation looks beautiful and terrifying, filled with bizarre looping symbols, black dots scattered around lines like footprints and numbers and fragments of text in strange…
”For when you are put into the Vortex you are given just one momentary glimpse of the entire unimaginable infinity of creation, and somewhere in it a tiny little marker,…
This story concerns Roddy, a fantastic fiddler and folk musician hailing from Glasgow, Scotland, who I met on the Leeds music scene. To give a little backstory for those who…
Musicians can be an unruly bunch, so producers, bandleaders and managers need some way of knocking them into a high performing unit. But what to do when an employee of…
In the last article I looked into the finer points of finding genre niche as part of defining your identity as an artist (also why you should even bother when…